In this lesson, students will draw three-dimensional geometric forms from direct observation using a still life setup. Still life drawing is a foundational academic exercise that trains artists to see form accurately and understand how light and shadow create the illusion of volume. Through careful observation and shading, students will learn how light behaves on different surfaces, allowing their drawings to appear more realistic and dimensional.
Understand how light affects the appearance of three-dimensional objects
Strengthen observational drawing skills
Learn how highlights, shadows, and reflected light describe form
Improve realism through controlled shading and line weight
Drawing from observation teaches students that objects are not defined by outlines alone. Form is revealed by light interacting with surface planes. By studying simple geometric shapes, students develop a strong foundation that applies to all drawing subjects, including people, animals, architecture, and design.
Where do you see light coming from in the room?
How does light change the way an object looks?
What happens to shadows when the light moves?
How are shadows different on a sphere versus a cube?
Light is essential to visual perception. We see objects because light rays strike their surfaces and reflect into our eyes. A still life study helps artists understand how light defines form, depth, and space. By observing how light behaves on basic shapes, students learn universal principles that apply across many fields, including illustration, architecture, animation, photography, filmmaking, industrial design, and fine art.
Different lighting conditions—such as sunlight versus artificial light—produce different shadows, contrasts, and reflections. Recognizing these differences helps artists make informed visual decisions in their work.
Small sketchbook (warm-up)
Project sketchbook (final drawings)
4B pencil and eraser
Various 3D geometric shapes (cube, sphere, cylinder, cone)
Reference printouts (optional)
Students will learn how to hold a pencil properly for easel drawing to allow greater control and range of motion. Begin with warm-up exercises, including pencil strokes and a tonal scale, to practice pressure control and value transitions.
Choose a single geometric shape such as a cube, cylinder, or sphere. Lightly sketch the outline of the object, focusing on proportion and structure. As you draw, consider the horizon line and perspective. Construction lines should remain light and adjustable. Vary line weight to enhance depth and three-dimensionality.
Identify the light source and carefully observe how light interacts with the object. Locate:
Highlights
Light areas (halftones)
Shadow areas (form shadows)
Reflected light
Begin shading by establishing the darkest values first, then gradually build mid-tones. Leave highlights mostly untouched. Notice how rounded forms have smooth transitions, while angular forms have sharper shadow edges.
After practicing individual shapes, arrange multiple geometric forms into a still life composition. Plan the layout carefully before drawing. Ensure the structure is accurate before shading. Apply everything you’ve learned about light, shadow, and form to unify the composition.
Student Work: Illustrating Animals on Colored Paper
Light Source – An object that emits natural or artificial light
Highlight – The brightest part of an object where light hits directly
Halftone – The area between light and shadow where light hits indirectly
Form Shadow – The area of an object that receives little to no direct light
Core Shadow – The darkest part of the form shadow
Reflected Light – Light that bounces off surrounding surfaces and back onto the object
Cast Shadow – The shadow an object creates on another surface
Occlusion Shadow – The darkest part of a shadow where light is almost completely blocked, typically where an object touches the surface