In this lesson, students will explore the art of classical animation by creating their own hand-painted animation cels. They will design and paint characters on transparent cels using acrylic paint, then overlay the cel onto a painted background to create a complete production cel. This hands-on activity will help students appreciate the history of animation and its foundational techniques.
Understand the fundamentals of classical cel animation and its historical significance.
Create a unique character design and transfer it onto an animation cel.
Use acrylic paints and proper techniques to ensure an opaque and professional finish.
Combine a painted character cel with a background to complete an animation production cel.
Classical Animation
Classical animation, also known as traditional animation, involves creating moving images by hand-drawing and painting each frame. While computer-assisted animation has largely replaced this method, studying classical animation helps students appreciate its history and artistry. The skills and techniques developed in classical animation remain relevant and provide a strong foundation for merging traditional and modern animation methods.
Cel Animation
A cel (short for cellulose acetate) is a transparent sheet on which characters are drawn and painted in traditional animation. During the animation production process:
Characters are first sketched on paper.
These sketches are traced onto cels using black lines.
Artists paint the cels on the reverse side to ensure smooth, opaque colors.
Cels are layered over painted backgrounds, creating the illusion of depth and movement.
Cellulose acetate sheets (transparent)
Acrylic paints (variety of colors)
Black permanent markers
Water bucket
Brushes (various sizes)
Paper towels or cloths for cleaning brushes
Background painting materials (optional: paper, paints, or printed backgrounds)
Collector’s Value
Production cels from iconic shows or movies have become highly collectible. Original cels from popular works can sell for thousands of dollars, making them prized pieces of animation history.
Idea Development
Brainstorm a character that complements an existing landscape painting or a background you plan to create.
Consider how the character’s position, scale, and style will fit into the overall scene.
Character Drawing
Sketch your character on paper.
Plan the placement of your character to align with the background.
Optional: Cut out the character sketch and test its placement over the background before moving to the next step.
Trace onto the Animation Cel
Place a cellulose acetate sheet over your character sketch.
Trace the outline using a black permanent marker.
Ensure clean, smooth lines for a professional look.
Paint the Cel
Flip the cel over so you are painting on the reverse side of the lines.
Use opaque acrylic paints to fill in your character.
Start with shadows and darker tones first, then layer lighter colors on top.
Clean and dry your brush thoroughly when switching colors to avoid smudging and to maintain thick, vibrant hues.
Allow each layer of paint to dry before adding new details.
Combine Cel with Background
Once the paint is fully dry, place the cel over a painted background.
Adjust the placement to ensure your character integrates seamlessly into the scene.
Optional Enhancements
Experiment with layering multiple cels to add complexity to your scene.
Photograph your final cel setup to preserve your work.
Animation: A method of creating the illusion of movement by displaying a sequence of still images or objects.
Classical Animation: A traditional technique where each frame is hand-drawn and painted, dominating the industry before digital methods.
Cel: Short for cellulose acetate, a transparent sheet used in traditional animation for drawing and painting characters or objects.
Production Cel: A completed cel combined with a painted background, used in creating scenes for animated films or shows.